4 sound / 1 silent
Lock into the click, then hold one bar on your own.
PocketGap alternates between bars with a click and bars of silence. Your job is simple: keep the groove steady while the click is gone, then notice where you land when it returns.
Five focused minutes is enough to learn how the gap feels.
Start at a speed where your groove feels relaxed. Use the − and + buttons, or type a BPM directly.
Pick a time signature, then choose how many sound bars you hear and how many silent bars you must carry yourself.
Quarter notes leave the most space. Eighths, triplets, and sixteenths give you more reference points at slower tempos.
After the count-in, play through both phases. When the click disappears, keep the same pulse until it returns.
If it returns ahead of you, you probably slowed down. If it returns behind you, you probably sped up. Do not jump to meet it—finish the bar, reset, and try again.
Change one variable at a time so you know what is challenging your timing.
Lock into the click, then hold one bar on your own.
Spend equal time with the click and with your internal pulse.
Use the returning click as honest feedback, not something to chase.
A relaxed groove reveals timing more clearly than a part you are struggling to play.
Your phone recording will reveal flams, rushing fills, and where the pocket shifts.
Subdivide quietly in your head before relying only on feel. Then gradually remove the counting.
Use fills and changes of orchestration inside the silent bars without letting the tempo move.
Completed sessions stay in this browser, so you can track practice time and gap cycles.
Ten focused minutes with honest listening beats a long session on autopilot.
Short answers to the questions drummers ask before starting.
A gap-click metronome alternates between audible click bars and silent bars. You keep playing through the silence, then use the returning click to check whether your tempo stayed steady.
The silent bars remove the external reference and make you carry the pulse yourself. Comparing your internal pulse with the returning click reveals whether you tend to rush or slow down.
Start with four audible bars and one silent bar at a comfortable tempo. When the returning click consistently lines up with your groove, move to two audible and two silent bars.
Five to ten focused minutes is enough for one timing drill. Use a comfortable groove, listen closely when the click returns, and stop before fatigue makes the feedback less useful.